![]() ![]() In this respect, using a bass trombone on the lowest trombone part is beneficial even for pieces in which the tonal range does not necessitate the larger instrument. The warmer and darker, but still characteristically trombone-like, sound of the bass trombone provides a bridge between the sounds of the tenor trombones and euphoniums. The desire to hear a seamless, homogeneous brass section sound from the trumpets down through the tubas can be thwarted by the large difference in timbre between the tenor trombones and the euphoniums. The overall band sound should also be considered. Moreover, a diligent player who specializes in the bass trombone will have spent much more time developing skills in that part of the range than a less diligent tenor trombonist who is placed on the third part because his audition landed him at the bottom of the section. The larger bore, bell, and mouthpiece of the bass trombone enable the player to extend into the lowest part of the range while maintaining a characteristic trombone timbre. However, the rare piece that includes a B1/Cb2, such as Chance’s Incantation and Dance, will require using a false tone or adjusting the F attachment tuning slide to E if the lowest part is to be played on a tenor trombone.Īlthough the bass trombone is not absolutely necessary to hit the notes in low third and fourth trombone parts, it is essential if those notes are to be produced with the best possible sound. Examples include Movement IV of Gustav Holst’s Second Suite in F.Īnd Eternal Father, Strong to Save by Claude T. Even concert band works in which the lowest trombone parts extend well into the trigger register can be negotiated reasonably well using a tenor trombone with an F attachment. When considering the role of the bass trombone in concert and marching bands it must be admitted that this instrument is a luxury. These latter scenarios are unfortunate, because a well-played bass trombone greatly enhances the tonal palettes of both concert and marching bands. Many an instrument room contains an aging bass trombone that is played only on the rare occasions when a director deems it necessary for a certain piece, and then by a student with minimal training and even less knowledge of the instrument’s characteristic sound. While some large programs always have at least two or three bass trombonists, in others the instrument is unknown or is used only by the occasional student who takes it up at his own initiative. The bass trombone occupies an inconsistent place in many school band programs. ![]()
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